May 9th, 2008 at 6:25 pm (Galleries, Exhibitions & Shows, Large Cat Paintings & Sketches, Owl, Eagle & Hawk Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Paintings of Birds, Swan Paintings & Sketches)

This is a new miniature painting of a pair of Trumpeter Swans ("On Golden Pond") in watercolors painted for the Seaside Art Gallery’s International Miniature Exhibition (their 17th annual) in Nags Head, North Carolina….one of 3 4×6 miniatures that I have in this year’s show.

"The Overseer - Cougar" & "Shattered Silence - American Bald Eagle" - both 4×6 watercolor miniatures that are also on exhibit at the Seaside show.
The exhibit just opened on the 5th and will run through the end of May. http://seasideart.com/
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April 5th, 2008 at 3:53 pm (Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Small Mammal Paintings & Sketches)
This is a long-overdue post about the progress of my little chipmunk painting.
He’s coming along pretty well. I’m bringing out all of the textures of the plants covering the ground and pebbles…and of course the fur.
The chipmunk is just about life sized in the painting. The original post about him is here. The piece will be 6" x 8" when it is completed.
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March 16th, 2008 at 5:45 pm (Commissioned Paintings, Galleries, Exhibitions & Shows, Large Cat Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)

This is the completed painting of the black leopard, titled "Intimidation - Black Leopard" (5" x 7"). My object for this painting was to capture the intense gaze and the action expressed in in the cat’s position - a feeling that he may lunge at any moment.
As mentioned earlier, I tried to keep the subtle qualities of the tones and such adding the contrast of the cat’s strength and focus and delicacy. The precious metals (24kt shell gold/sterling silver) were added to the eyes and sheen of the fur and other area that would add an extra glow. As in all of my work, I am working for realism and the honed look of refined miniature painting, so the touches of these illuminations (as always) are very soft so not to be gaudy or have a glaring tinsel look to them - only subtle and elegant enhancement.
You can see the beginning of the painting posted here from back in December and further progress here. The original was sold in February at a gallery exhibition.
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March 1st, 2008 at 1:39 am (Articles & Stuff, Conservation, Galleries, Exhibitions & Shows, Inspiration, Research Study, & Field Trips, Miscellaneous, Nature Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Paintings of Birds)
First of all, I need to thank everyone that came to the NatureWorks show in Tulsa this past weekend - It was fabulous to meet all of you…and see familiar faces again! My family and I really appreciate your support for us and our work. We really love what we do and are so pleased to see that others enjoy our finished pieces and the wildlife that is so meaningful to us as well!
Thanks for making the 2008 NatureWorks one of our best showings in Tulsa!
We look forward to seeing everyone again next year! ( www.natureworks.org )
Also…. Some gallery news - For those who may not know, we are now represented full time in Texas by Whistle Pik Galleries ( www.whistlepik.com ). Their gallery is one of the most beautiful show places that I have seen and the people who run the gallery are superb.
Our gallery in Montana is expanding ( www.moosehorngallery.com ) - they will soon be opening another Moosehorn Gallery in Washington state. The Montana gallery will also be having a large event this summer that we will be attending in Big Sky with a new collection of artwork. …so we will be busy at our easels for a while.
Lastly (..but definitely not least…) An article about our family, "A 24/7 Family Affair", is featured in this month’s issue of Wildlife Art Magazine. Thanks to Wildlife Art and our author, Fran Howard! ( www.wildlifeartmag.com )
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January 15th, 2008 at 6:47 pm (Fine Art Societies, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)
I am very pleased to announce that my Mom, Karen, and I have just been accepted into the International Guild of Realism (IGOR). I was encouraged to participate in the society by a friend I met online that is an existing member who drops by my blog occasionally, artist Cindy Haase ( http://cynhaase.blogspot.com/ beautiful colored pencils…definitely worth the click..
).
International Guild of Realism
http://www.realismguild.com
"Our mission is to advance realism in fine art through museum exhibitions, art gallery shows, workshops, education programs, marketing support and Internet exposure.
For us, “realism” ranges from classical realism (based upon the traditional, academic-style painting techniques) to contemporary realism (where cutting edge techniques and subject matter are used to comment on today’s world). Trompe l’oeil, photorealism, surrealism, and super-realism are some of the genres included within the range of realism choices for modern artists, as well.
The International Guild of Realism was founded by a group of leading professional realism artists from around the globe in 2002 with four goals:
• Recognizing the best realists working today
• Creating exhibition opportunities
• Providing technical and promotional support
• To offer a bridge between art collectors and the highest quality realist art, created by our members
It’s all based upon the proven belief that the more art lovers of the world have access to high-quality realism, the greater the value these paintings will have. Value not just in monetary terms, but in appreciation, understanding and international attention.
For art collectors, we create juried exhibitions in museums and galleries that span as many aspects of realism as possible so that they can see the panorama of international work in this field in one show. For museums, we curate themed exhibitions that provide a snapshot of where realism is today. For fellow artists, we provide information about workshops conducted by members and magazine features about realism techniques so that the quality of the art form continues to improve around the world.
It’s all based upon one simple premise: The more realism artists succeed in the competitive art world, the greater the benefit to the art lovers of the world."
Also… I thought I would add one of my favorite quotes…
"The Courage of Integrity"
"The highest courage is to dare to be yourself in the face of adversity. Choosing right over wrong, ethics over convenience, and truth over popularity… these are the choices that measure your life. Travel the path of integrity without looking back, for there is never a wrong time to do the right thing."
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December 27th, 2007 at 7:52 pm (Fox, Coyote & Wolf Paintings & Sketches, Miscellaneous, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)
This is my painting that I mentioned on the antique ivory (perhaps it should be stated ‘prehistoric ivory’, rather
). I chose to paint a timber wolf portrait. This is the beginnings of the painting, of course. Much more will be added to the piece before it is considered finished. I am really having fun playing with this one.
For a little more information on miniature painting on Ivory…
This image (left - "Maternité", 1908, mother and children in a gold frame) is a miniature painting in the collections of the Museum of Fine Arts, Boston.
The muted and moody piece is a watercolor on Ivory by American miniature painter, Lucy Stanton (1876 - 1931). The painting’s image is 8-3/4 in x 7-3/4 in.
Ivory was first used by a Venician artist around 1700, and soon after, became very popular in England. …and of course, America. It became the surface of choice for those miniature painters who painted the popular portrait miniatures.
Pieces of ivory most often were cut as slices from a tusk, though methods were developed to cut very large and thin veneered sheets (a roll 52 feet in length was once displayed in the 1850’s). For durability reasons however, those veneered cuts never gained great popularity with miniature painters. In the 20th century, the largest classically cut and prepared pieces available to a miniature artist were about 6 in x 7 in and quite expensive. (This American artist sent for her pieces of ivory from London or Paris markets.)
Though some larger works can be found also, it is understandable that many smaller miniatures were painted on ivory…..with the expense of the surface and relatively small size of classically cut pieces, popularity of small miniatures during that time, and the difficulty that some artists had in handling paint on the smooth surface (I must add…it has even been published in several books that the difficulties of working on the surface is repeatedly over-emphasized in discussions of miniature painting.)
Personally, I honestly enjoy painting on these ivory and ivory simulated surfaces even more than the others that I have tried.
…the final works seem to be popular with collectors as well.
Of course, ivory as it was during that period is no longer used because of species conservation. However, luminous qualities of a miniature painting are still achieved on ivorine, an ivory surface substitute. The Ivorine surface is neither opaque, like a gessoed panel, nor clear and transparent like glass. it has a translucent quality that adds depth to a painting. Surfaces like antique ivory and the mammoth ivory, which I am painting my wolf miniature on, for example are also available….and very nice as well.
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December 23rd, 2007 at 6:47 pm (Commissioned Paintings, Large Cat Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)
This is the progress of the black leopard watercolor painting that I have been working on (
see an earlier post here). It is beginning to have the feeling of mood and atmosphere that I am striving for in this painting. I will be refining it further (which, I suppose, is difficult to tell being that this photo is a bit web dithered…

) and adding other details to it as well.
8 Comments
December 21st, 2007 at 8:01 pm (Commissioned Paintings, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Small Mammal Paintings & Sketches)
This is a painting that I was requested to paint of two otters. This is the beginnings of the fur texture being put into place with many fine, delicate strokes. (…this is actually one of my favorite parts of a painting - the very beginning and seeing all of the textures begin to develop.) I love to bring out the finest details in the faces of the animals (or focal points of my floral pieces) with the lightest strokes.
In miniature painting, some artists use such fine strokes that they are only seen by magnifying glass, while others use more visible strokes in their pieces that are best not viewed under magnification and carry well from a distance, as observed by a Swiss miniature art expert.
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December 13th, 2007 at 9:19 pm (Commissioned Paintings, Large Cat Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)

This is the beginnings of the black leopard miniature painting with the initial rendering of the fur. (The sketch post can be seen here.) There is much more to do on the piece of course, but the feel of the fur texture is in place.Â
I am eager to begin painting the soft subtle tones of color reflected in the fur and eyes - the contrast of the look of intensity of the cat and the delicate shades I will add in watercolor.
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December 12th, 2007 at 6:31 pm (Commissioned Paintings, Large Cat Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Sketches, Studies, & Doodles)
This is the beginnings of a drawing for another miniature watercolor piece I have in the works. I was requested to paint a more aggressive pose of a black leopard as a smaller miniature, so this is a 5×7 of a leopard ready for an attack.
The subject of the painting is a cat that, though he was in captivity, he was very intent on stalking my sister. (Which was odd, because I am usually the one who is stalked.
) So… it was a nice opportunity to gather some wonderful references of a very intense cat.
He was absolutely beautiful. I hope to do him justice in the painting. 
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December 11th, 2007 at 9:32 pm (Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Small Mammal Paintings & Sketches)
This is a little miniature I’m working on as well. It’s a chipmunk that I saw while I was out in Wyoming this fall. There were two of them that were scavenging around a park area. They were fairly used to being around humans, so they did come up fairly close - was very interesting to watch them. (My family had a hard time dragging me away from them…
)
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December 8th, 2007 at 10:58 pm (Fox, Coyote & Wolf Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)
This is a new miniature I am working on. This is a 9×12 painting of a wolf - very soft tones in this piece. I liked the more unusual pose of him, his ears back, makes the piece more unique and helps give a deeper story to the painting with the animal’s behavior (a defensive posture, perhaps a little unsure of his environment). So far, this piece has progressed very quickly.
3 Comments
December 7th, 2007 at 9:01 pm (Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)
I like to keep my painting experience interesting. In traditional miniature painting, there are a lot of different surfaces recommended for artists to paint on - one of them is antique ivory. It, and ivory substitutes that have been made, are very luminous and help the artist create more ambiance in their paintings.
I started a painting on mammoth ivory (I’ve added a couple of photos of the surface as it comes prepared for painting). I started the piece several months ago, but had to set it aside for a bit due to other commitments. The pieces of tusk are sliced very thin for the miniature artist. I will post the progress of the painting itself soon.


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December 7th, 2007 at 8:42 pm (Commissioned Paintings, Fox, Coyote & Wolf Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals)
I just put the finishing touches on my red fox kit commission.
It is now off to the framer’s for a little dressing up.
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November 25th, 2007 at 8:45 pm (Galleries, Exhibitions & Shows, Larger Works 'in miniature', Nature Paintings & Sketches, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Paintings of Birds)
Thanks to Ron Kobli and everyone from the Decoys & Wildlife Gallery in Frenchtown, NJ for such a nice show! My family and I were pleased to meet many of our collectors from the area.
If you happen to be near Frenchtown, be sure to drop by the gallery to browse the paintings and art. They still have quite a collection of our pieces for the holiday season - both smaller and larger pieces. (www.decoyswildlife.com)


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October 17th, 2007 at 3:42 pm (Bear Paintings & Sketches, Fine Art Societies, Fox, Coyote & Wolf Paintings & Sketches, Galleries, Exhibitions & Shows, Paintings, Paintings in Little - Small Miniature Paintings, Paintings of Animals, Paintings of Birds, Shorebird, Egret & Heron Paintings & Sketches)
I just received notice that this painting, "Calm - Great Egret" (watercolor on Ivorine), was awarded ‘Second in Show’, the ‘Manny Sullivan Award for Excellence’, at the 74th Miniature Painters Sculptors & Gravers Exhibit of Washington, DC (the oldest miniature art society in America - http://www.mpsgs.org/). I am honored to have received this award for the second year in a row.
My watercolors "Polar Ambiance" and "Timberwolf" were chosen for first place in ‘Watermedia’ and first place in ‘Birds and Animals’ respectively. I am very honored to have my work chosen for these awards this year. Many thanks to the judge, Carol Lee Thompson, and those of the administration of the MPSGS.
The exhibit of 699 miniature works of art will run Nov. 19 - Dec. 29, 2007 at the Strathmore Mansion (in North Bethesda, MD). This year’s exhibition represents artists from 38 US states and 12 foreign countries.
My sister, Bonnie, was able to put a miniature painting in the exhibit this year also - her work was awarded as well.
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