Barn Owl Portrait… A Work In Progress

I’ve had some requests to post more of my sketches and works-in-progress on my blog…so here’s another painting that is sitting in the studio… ;)
This is a work-in-progress - a barn owl portrait that will debut at th Moosehorn Gallery in Montana. They are having a large event this summer and (...if everything goes well on this piece... ;) ) this will be one of my paintings in their summer show. :D
This is a work-in-progress - a barn owl portrait that will debut at th Moosehorn Gallery in Montana. They are having a large event this summer and (…if everything goes well on this piece… ;) ) this will be one of my paintings in their summer show. :D

New Small Miniatures… “On Golden Pond”, “Shattered Silence”, & “The Overseer”

This is a new miniature painting of a pair of Trumpeter Swans (
This is a new miniature painting of a pair of Trumpeter Swans ("On Golden Pond") in watercolors painted for the Seaside Art Gallery’s International Miniature Exhibition (their 17th annual) in Nags Head, North Carolina….one of 3 4×6 miniatures that I have in this year’s show. :D
This is a new miniature painting of a pair of Trumpeter Swans ( This is a new miniature painting of a pair of Trumpeter Swans (
"The Overseer - Cougar" & "Shattered Silence - American Bald Eagle" - both 4×6 watercolor miniatures that are also on exhibit at the Seaside show.

The exhibit just opened on the 5th and will run through the end of May. http://seasideart.com/

Finch & Blossoms Miniature Painting - Watercolor

 

This is a new miniature I painted that went to England for a miniature art exhibit. It is a finch with apple blossoms and is a little smaller than 4x6. My Dad has some awesome flowering fruit trees that I love ...which inspired this painting... :) (I have 'spring fever' -I'm really wishing for spring around here to look like spring. ;) :p ) == The little bird isn't life-sized...which I really would have loved to paint him (I love painting things life-sized and the challenge to make them look like they will walk off my artboard ;) ). The piece was painted to be shown in this exhibition which has an image area limit, and he had to be arranged compositionally in the painting with the flowers...this was the most pleasing arrangement that I came up with. :) == I really would like to paint the concept as a 6x8 or a little larger sized miniature so that I would have more space for everything... (Maybe the next painting... :D lol!)

This is a new miniature I painted that went to England for a miniature art exhibit. It is a finch with apple blossoms and is a little smaller than 4×6. My Dad has some awesome flowering fruit trees that I love …which inspired this painting… :) (I have ’spring fever’ -I’m really wishing for spring around here to look like spring. ;) :p )

The little bird isn’t life-sized…which I really would have loved to paint him (I love painting things life-sized and the challenge to make them look like they will walk off my artboard ;) ). The piece was painted to be shown in this exhibition which has an image area limit, and he had to be arranged compositionally in the painting with the flowers…this was the most pleasing arrangement that I came up with. :)

I really would like to paint the concept as a 6×8 or a little larger sized miniature so that I would have more space for everything… (Maybe the next painting… :D lol!)

Chipmunk Miniature Painting Progress

This is a long-overdue post about the progress of my little chipmunk painting. :D  He's coming along pretty well. I'm bringing out all of the textures of the plants covering the ground and pebbles...and of course the fur. :D The chipmunk is just about life sized in the painting. The original post about him is here. The piece will be 6" x 8" when it is completed.

 

This is a long-overdue post about the progress of my little chipmunk painting. :D

 

He’s coming along pretty well. I’m bringing out all of the textures of the plants covering the ground and pebbles…and of course the fur. :D The chipmunk is just about life sized in the painting. The original post about him is here. The piece will be 6" x 8" when it is completed.

Iris Sketch - New Spring Painting

 

It is finally starting to feel like spring - it is warm enough to open the windows of my studio to listen to the birds sing during the day while I paint. :D

Things haven’t ‘greened up’ quite yet, but I am anxiously waiting for them to sprout. :D This is a sketch of an iris from my garden (a blossom from last year). I felt like painting something warm and glowing that reminded me of early summer…

Intimidation - Black Leopard Miniature Painting Completion

This is the completed painting of the black leopard, titled

 

This is the completed painting of the black leopard, titled "Intimidation - Black Leopard" (5" x 7"). My object for this painting was to capture the intense gaze and the action expressed in in the cat’s position - a feeling that he may lunge at any moment.

As mentioned earlier, I tried to keep the subtle qualities of the tones and such adding the contrast of the cat’s strength and focus and delicacy. The precious metals (24kt shell gold/sterling silver) were added to the eyes and sheen of the fur and other area that would add an extra glow. As in all of my work, I am working for realism and the honed look of refined miniature painting, so the touches of these illuminations (as always) are very soft so not to be gaudy or have a glaring tinsel look to them - only subtle and elegant enhancement.

You can see the beginning of the painting posted here from back in December and further progress here. The original was sold in February at a gallery exhibition.

NatureWorks 2008, Galleries, & Wildlife Art…

NatureWorks Wildlife Art Show & Sale 2008 - Tulsa, Oklahoma, USA

First of all, I need to thank everyone that came to the NatureWorks show in Tulsa this past weekend - It was fabulous to meet all of you…and see familiar faces again! My family and I really appreciate your support for us and our work. We really love what we do and are so pleased to see that others enjoy our finished pieces and the wildlife that is so meaningful to us as well! :D Thanks for making the 2008 NatureWorks one of our best showings in Tulsa! :D We look forward to seeing everyone again next year! ( www.natureworks.org )

Also…. Some gallery news - For those who may not know, we are now represented full time in Texas by Whistle Pik Galleries ( www.whistlepik.com ). Their gallery is one of the most beautiful show places that I have seen and the people who run the gallery are superb.

Our gallery in Montana is expanding ( www.moosehorngallery.com ) - they will soon be opening another Moosehorn Gallery in Washington state. The Montana gallery will also be having a large event this summer that we will be attending in Big Sky with a new collection of artwork. …so we will be busy at our easels for a while. ;)

Lastly (..but definitely not least…) An article about our family, "A 24/7 Family Affair", is featured in this month’s issue of Wildlife Art Magazine. Thanks to Wildlife Art and our author, Fran Howard! ( www.wildlifeartmag.com )

Artists Gathering

 


This is a photo slide show of the MASF exhibition in Largo, Florida (where one of my paintings was awarded the Best Work by a Young Artist Award). There really was a variety of work there. The newly elected president of the MASF was there at the show, whom I met for the first time - he told me that the collection of paintings that I had in the show sold out. :D (I was also told a little bit about some of my newest collectors…

 

I was very pleased to attend the exhibition with Joan Willies RMS (originally from the UK, an accomplished miniature artist and author that I met the first year I entered the MASF exhibition) and the workshop of artists that she brought to the exhibit. :D

Joan was hosting a workshop, teaching miniature art, at her studio in Florida. There were students who flew in from different parts of the US for her course that week. …and being in Florida already, of course I HAD to go see her! :D (She’s a sweetheart, who could resist!) …as anyone who has had the experience knows, lunch with a workshop of artists is completely unforgettable!! ;) Too much fun! …and everyone was (and is) so sweet!! I was pleasantly surprised to see familiar faces, too. :D The "art chats" were fabulous!! (Thanks so much, Joan!! :D )

These are a few more photos from Florida…

image

The International Guild Of Realism (IGOR)

I am very pleased to announce that my Mom, Karen, and I have just been accepted into the International Guild of Realism (IGOR).  I was encouraged to participate in the society by a friend I met online that is an existing member who drops by my blog occasionally, artist Cindy Haase (  http://cynhaase.blogspot.com/  beautiful colored pencils…definitely worth the click.. ;) ).

International Guild of Realism
http://www.realismguild.com
"Our mission is to advance realism in fine art through museum exhibitions, art gallery shows, workshops, education programs, marketing support and Internet exposure.

For us, “realism” ranges from classical realism (based upon the traditional, academic-style painting techniques) to contemporary realism (where cutting edge techniques and subject matter are used to comment on today’s world). Trompe l’oeil, photorealism, surrealism, and super-realism are some of the genres included within the range of realism choices for modern artists, as well.

The International Guild of Realism was founded by a group of leading professional realism artists from around the globe in 2002 with four goals:

• Recognizing the best realists working today
• Creating exhibition opportunities
• Providing technical and promotional support
• To offer a bridge between art collectors and the highest quality realist art, created by our members

It’s all based upon the proven belief that the more art lovers of the world have access to high-quality realism, the greater the value these paintings will have. Value not just in monetary terms, but in appreciation, understanding and international attention.

For art collectors, we create juried exhibitions in museums and galleries that span as many aspects of realism as possible so that they can see the panorama of international work in this field in one show. For museums, we curate themed exhibitions that provide a snapshot of where realism is today. For fellow artists, we provide information about workshops conducted by members and magazine features about realism techniques so that the quality of the art form continues to improve around the world.

It’s all based upon one simple premise: The more realism artists succeed in the competitive art world, the greater the benefit to the art lovers of the world."




Also…  I thought I would add one of my favorite quotes…

"The Courage of Integrity"
"The highest courage is to dare to be yourself in the face of adversity.  Choosing right over wrong, ethics over convenience, and truth over popularity…  these are the choices that measure your life.  Travel the path of integrity without looking back, for there is never a wrong time to do the right thing."

Watercolor Miniature on Antique Ivory

This is my painting that I mentioned on the antique ivory (perhaps it should be stated ‘prehistoric ivory’, rather ;) ).  I chose to paint a timber wolf portrait.  This is the beginnings of the painting, of course.  Much more will be added to the piece before it is considered finished.  I am really having fun playing with this one. :D

For a little more information on miniature painting on Ivory… 

This image (left - "Maternité", 1908, mother and children in a gold frame) is a miniature painting in the collections of the Museum of Fine Arts, Boston. 

The muted and moody piece is a watercolor on Ivory by American miniature painter, Lucy Stanton (1876 - 1931).  The painting’s image is 8-3/4 in x 7-3/4 in.

Ivory was first used by a Venician artist around 1700, and soon after, became very popular in England.  …and of course, America.  It became the surface of choice for those miniature painters who painted the popular portrait miniatures. 

Pieces of ivory most often were cut as slices from a tusk, though methods were developed to cut very large and thin veneered sheets (a roll 52 feet in length was once displayed in the 1850’s).  For durability reasons however, those veneered cuts never gained great popularity with miniature painters.  In the 20th century, the largest classically cut and prepared pieces available to a miniature artist were about 6 in x 7 in and quite expensive.  (This American artist sent for her pieces of ivory from London or Paris markets.)

Though some larger works can be found also, it is understandable that many smaller miniatures were painted on ivory…..with the expense of the surface and relatively small size of classically cut pieces, popularity of small miniatures during that time, and the difficulty that some artists had in handling paint on the smooth surface (I must add…it has even been published in several books that the difficulties of working on the surface is repeatedly over-emphasized in discussions of miniature painting.)

Personally, I honestly enjoy painting on these ivory and ivory simulated surfaces even more than the others that I have tried. :) …the final works seem to be popular with collectors as well.

Of course, ivory as it was during that period is no longer used because of species conservation.  However, luminous qualities of a miniature painting are still achieved on ivorine, an ivory surface substitute.  The Ivorine surface is neither opaque, like a gessoed panel, nor clear and transparent like glass.  it has a translucent quality that adds depth to a painting.  Surfaces like antique ivory and the mammoth ivory, which I am painting my wolf miniature on, for example are also available….and very nice as well.

Nautical & Maritime - Miniature Boat

This is a little boat miniature I just finished for Christmas (it was painted to be a surprise gift, so I couldn’t post the progress for everyone earlier…).  I’m not an expert in boat related topics, and I’ve never painted a boat before, so this was a new feat.  It’s also probably the one and only maritime painting that will have my name on it for some time ;) .   I normally focus on all of the shorebirds when I see a scene like this.  (…chasing them down the beach with my sketch book and camera… ;) )

This is a fishing boat from Maine.  I placed it in a morning sunrise setting.  In my trips to the East coast, my favorite part of visiting is seeing the colors, (sunrise or sunset) on the ocean, the calming movement of the water, and the smell of the fresh morning air.   So in this painting, I tried to paint the feeling of those beautiful hazy views into the piece.

No worries, though - I won’t become a nautical or maritime ship painter anytime soon. ;) (…I wouldn’t mind painting the birds, though…. :D )

Black Leopard Progress…

This is the progress of the black leopard watercolor painting that I have been working on (see an earlier post here).  It is beginning to have the feeling of mood and atmosphere that I am striving for in this painting.  I will be refining it further (which, I suppose, is difficult to tell being that this photo is a bit web dithered… :? )  and adding other details to it as well.

Making A Mark Reviews The 2007 MPSGS Exibition

"Polar Ambiance", Watercolor on Board
One of my paintings in the 2007 MPSGS Exhibition

For those stopping by who might be interested in the happenings on other art blogs on the net…  Katherine Tyrrell, British blogger and artist from Making a Mark, reviewed the current MPSGS exhibition in Washington on her blog. :D (See her review by following this link.)

Earlier this year she also reviewed the RMS exhibition in the Mall Galleries in London - was nice to hear about the show I wasn’t able to go (I had 5 pieces in this year’s exhibition).  Thank you, Katherine. :)

Beginnings - Otters Painted In Miniature

This is a painting that I was requested to paint of two otters.  This is the beginnings of the fur texture being put into place with many fine, delicate strokes.  (…this is actually one of my favorite parts of a painting - the very beginning and seeing all of the textures begin to develop.)  I love to bring out the finest details in the faces of the animals (or focal points of my floral pieces) with the lightest strokes. :D

In miniature painting, some artists use such fine strokes that they are only seen by magnifying glass, while others use more visible strokes in their pieces that are best not viewed under magnification and carry well from a distance, as observed by a Swiss miniature art expert.

The First Marks

This is the beginnings of the black leopard miniature painting with the initial rendering of the fur.  (The sketch post can be seen here.)  There is much more to do on the piece of course, but the feel of the fur texture is in place. 

I am eager to begin painting the soft subtle tones of color reflected in the fur and eyes - the contrast of the look of intensity of the cat and the delicate shades I will add in watercolor.

Plans for a Black Leopard

his is the beginnings of a drawing for another piece I have in the works.  I was requested to paint an aggressive pose of a black leopard as a smaller miniature, so this is a 5x7 of a leopard ready for an attack.

This is the beginnings of a drawing for another miniature watercolor piece I have in the works.  I was requested to paint a more aggressive pose of a black leopard as a smaller miniature, so this is a 5×7 of a leopard ready for an attack. 

The subject of the painting is a cat that, though he was in captivity, he was very intent on stalking my sister.  (Which was odd, because I am usually the one who is stalked. :? )  So…  it was a nice opportunity to gather some wonderful references of a very intense cat. :) He was absolutely beautiful.  I hope to do him justice in the painting. :D

Chipmunk Miniature Watercolor

This is a little miniature I'm working on as well.  It's a chipmunk that I saw while I was out in Wyoming this fall.  There were two of them that were scavenging around a park area.  They were fairly used to being around humans, so they did come up fairly close - was very interesting to watch them.  (My family had a hard time dragging me away from them... :? )

This is a little miniature I’m working on as well.  It’s a chipmunk that I saw while I was out in Wyoming this fall.  There were two of them that were scavenging around a park area.  They were fairly used to being around humans, so they did come up fairly close - was very interesting to watch them.  (My family had a hard time dragging me away from them… :? )